Artist

Endorsers

In alphabetical order of last name

Alan Abel

Alan Abel was among the first endorsers of Adrian Stefanescu mallets. We remember and honor him for his great contribution to orchestral percussion, his instrument innovations, and his great passion for teaching.


Nicolas Lamothe

The Philharmonic Orchestra of Radio France

- First Solo Principal Percussion.

The quality of Adrian Stefanescu mallets is unique. His approach to wood mallets allows me to develop an infinity of colors, and the mallets have an unbeatable feel!                                 

Nicolas Lamothe


Jean-Baptiste Leclère

Orchestre de l’Opéra National de Paris - Principal Percussionist.

Paris Percussion Group - Artistic Director.

Conservatoire de Paris - CNSMDP  -Assistant Professor.

Conservatoire de Lyon - CNSMDL - Guest Teacher.

Conservatoire de Saint Maur des Fossés - Teacher.

Photography by - Maxime de Bollivier

The Adrian Stefanescu Mallets are my best companions to express all the musical contexts in the orchestra repertoire. They take me away in another dimension of sound.                                      

Jean-Baptiste Leclère


Anthony Orlando

The Philadelphia Orchestra - Associate Principal Percussion (retired).

Adrian, you have combined artistry with craftsmanship to create these superior mallets.

I am very pleased to encourage all percussionists, professionals and students alike, to add these mallets to their ‘tool kit’. Bravo!                                      

Anthony Orlando


Vincent Seguin

Orchestre Métropolitain Montreal: Assistant Principal Percussion (by interim).

Orchestre Symphonique de Drummondville: Principal Percussion.

The exceptional craftsmanship of Adrian Stefanescu mallets has allowed me to reach a quality of sound on wooden xylophones that simply can not be matched with other mallets.

Vincent Seguin


Federico M. Taboada

Orchestra Estable Teatro Colón - Buenos Aires, Argentina - Percussion.

The possibility of having a lyrical sound on the xylophone was something that I have always looked for, and as soon as I tried the ASP mallets for the very first time I knew that I had just found it.
Their beauty, their feel, and how smooth they can blend with the woodwinds or the strings is truly satisfying.”       
                        

Federico M. Taboada



More Musician Testimonials

Max Polo

Norrlandsoperan Symphoniorkester Sweeden: Principal Percussion.

"I could only compare these mallets with very fine jewels! Now I truly have a wide color-tone pallet to reach my artistic goals."

Maximiliano Polo

Aurélien Dobigny

French Army Band (France).

"This is the first time I have such balanced mallets with such a beautiful finish. The ASP mallets open up a wide sound palette that I didn't think was achievable with wooden mallets. With my 3 pairs I already have the impression of being able to cover a very large repertoire."

Aurélien Dobigny

Martin Breinschmid

Orchester der Vereinigten Bühnen Wien (Vienna - Austria)

"Excellent craftsmanship, extremely durable!  With 3 pairs of these mallets, you can cover the complete dynamic range of a xylophone."

Martin Breinschmid

Mike G

South Shore Symphony Orchestra Florida - USA

"I own all the xylo mallets in this series.  They are fantastic!"

Mike G.